
Overview
Redemption is an Italian fashion house founded in 2013 by Gabriele Moratti, Daniele Sirtori, and Vanni Laghi. The house covers ready-to-wear, eveningwear, and accessories, gaining recognition for its sophisticated, rock-inflected aesthetic and its regular presence on the Paris calendar. The label is distinguished by its business model, which originally pledged a significant portion of its profits to charitable causes, reflecting Moratti’s background in activism. The label works across ready-to-wear and accessories.
Based between Milan and Paris, the brand emerged as a unique proposition that merges high-fashion luxury with a commitment to social responsibility and sustainable production. By utilising high-quality Italian textiles and artisanal construction to execute its dramatic silhouettes, the house offers a contemporary take on sustainable luxury that prioritises style and impact in equal measure. The brand has remained visible within the fashion calendar and related retail networks. Its development has been shaped by recurring codes in cut, material or proportion.
Philosophy
A high-octane blend of rock-and-roll attitude and traditional Italian craftsmanship serves as the foundation of the creative language. This is expressed through the frequent use of leather, sequins, and metallic finishes, applied to silhouettes that reference the glamour of the 1970s and 80s. Design decisions are driven by a tension between the grittiness of biker culture and the refined elegance of the Parisian atelier, resulting in a look that is both rebellious and meticulously finished.
Recurring motifs include sharp, structured shoulders, deep necklines, and draped evening gowns that emphasise movement and drama. The aesthetic is defined by a bold use of contrast, pairing delicate laces or fluid silks with heavy hardware and tailored denim. By prioritising the sensory experience of luxury alongside ethical production standards, the brand creates a coherent visual world that celebrates individuality and the transformative power of a strong, distinctive silhouette. Narrative and cultural reference operate here as structuring devices rather than decorative afterthoughts.
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Creative history
2013
2013
2013
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