Fashion Brands Directory

Lanvin Paris New York was the US-manufactured ready-to-wear programme launched by Lanvin and Andrew Arkin in 1970.

Rabanne frames fashion as an experiment in material and assembly, favouring collision, movement and technical surprise over settled house manners.

Georges Hobeika balances corseted structure with chiffon, tulle and silk in motion, letting internal engineering support an apparently weightless surface.

Emporio Armani translates the house’s soft construction into a younger urban wardrobe of tailoring, denim, sportswear and controlled logo.

Dsquared2 thrives on collision, setting Canadian utility and denim against Italian tailoring, celebrity glamour and deliberate excess.

Bodies, veils and characters migrate between physical and digital form in Anatomyland, while modularity keeps identity visibly unstable.

A-COLD-WALL* renders social architecture in coated fabric, panelled outerwear and weathered surfaces that make class and access visible in form.

Founded by Roy Halston Frowick in New York in 1968, Halston shaped American sportswear through fluid jersey, Ultrasuede and a tightly controlled lifestyle image, and today operates under Xcel ownership with G-III as master licensee.

Cloth, touch and repetition carry the thought at tricot Comme des Garçons, making ease feel designed without forcing it into runway spectacle.

Tao Comme des Garçons made softness structural, using lace, knit, transparency and hand-touched surface to give delicacy precision and force.

Florentina Leitner reshapes historical motifs and personal memory as graphic clothing, giving romantic references a crisp contemporary edge.

Agnès b. follows the rhythm of daily life, favouring useful garments, familiar forms and an ease resistant to fashion’s usual fuss.

Giambattista Valli gives romance physical scale through tiered tulle, floral surface and gowns that occupy the room before their wearer says a word.

Max Mara gives restraint practical authority, cutting camel hair and fine wool into coats designed to serve modern life without dictating identity.

A Milan house built from material experiment, offbeat proportion and an evolving dialogue between clothing, accessories, craft and art.

Tokyo label founded by Kazuho Arai and Tsukasa Takabayashi, combining streetwear, utility clothing, Japanese textile craft and the THENEWCOMMUNE, PROTOTYPE and REROW lines.

Adeline André removes rigid internal architecture, allowing fabric, rolled edges and bias cut to follow the wearer with unusual quietness.

IM MEN conceives menswear as moving construction, with pattern intelligence and technical cloth making utility inventive without severity.

Nature becomes spectacle at Roberto Cavalli, amplified through animal pattern, colour and sensual cut until luxury feels openly theatrical and alive.

Tokyo-based TAAKK develops menswear and womenswear through engineered textiles, hybrid tailoring and Takuya Morikawa’s material-first design practice.

Dries Van Noten is an Antwerp luxury house founded in 1986, known for textile-led ready-to-wear, layered colour and print, and its transition from Dries Van Noten to Julian Klausner.

KNT pushes Kiton’s textile authority into motion, giving soft suits, knitwear and outerwear a more active metropolitan rhythm.

Deadstock availability and comic excess set the terms at AVAVAV, turning material limits into small-batch experiments and deliberately unstable spectacle.

Cloth functions as applied intelligence at ISSEY MIYAKE, with each idea tested against the body, movement and the practical demands of wear.

Crisp shirting, neat waists, full skirts and colour make occasion instantly legible at Carolina Herrera, without avant-garde alibis.