Georges Hobeika

The New Order framed the house’s thirtieth anniversary through the friction between doubt and determination. Sculpted gowns, bridal silhouettes and embellished tailoring honoured earlier couture masters while asking how inherited technique can remain active in a changed industry. The title did not announce a rejection of the past; it described renewal as the disciplined continuation of craft under the shared direction of Georges and Jad Hobeika.