The visual record is still being traced. It will appear here once found.
About this collection
KIDILL’s debut runway was organised as a progression from reason through love to madness. Austere black, navy and white tailoring opened the show before checks, vivid colour and pop imagery destabilised the controlled silhouette; the final section placed full-head wolf masks over garments developed with the construction discipline Sueyasu had pursued after ending HIRO.
A Gobelin-woven wolf motif demonstrated the label’s founding proposition: punk imagery embedded into the textile rather than added as inexpensive surface graphics. The show established KIDILL as a separate runway house and set the tension between classic tailoring and concealed disorder that continued through its later work.