Rick Owens

Creatch sharpens the early womenswear system by making drape cleaner, stranger and more sculptural. Eel, snake, ostrich and gazar appear around funnel necks, pouch pockets, pod vests and dhoti-like trousers, moving Owens beyond soft layering into a more engineered manipulation of the body. The collection matters because it shows how his rough leather-and-jersey vocabulary could become crisp, formal and distorted without losing its sense of bodily tension. This is where the silhouette starts to look engineered rather than merely wrapped.