Rick Owens

Strutter closes the pre-2010 womenswear stretch with a ritualised but wearable version of Owens’s bias-drape language. Black bias fabrics, cut-outs, asymmetry, A-line coats and trumpet trousers move through a dry-ice runway atmosphere, giving the collection a sect-like charge without losing garment clarity. It matters because it turns the early priestess image into something more controlled, connecting exposed construction, couture-adjacent closure and broader wearability. The dry ice strengthens the ritual mood, but the clothes remain legible as dresses, coats and trousers.