Rick Owens

Fogachine stages the return to a live audience as a ritual of endurance rather than a simple runway restart. Shown back at the Palais de Tokyo, the collection carries memory of the Lido cycle through smoke, jasmine references and a processional mood led by Michèle Lamy. The clothes emphasise strong shoulders, ceremonial movement and survival after isolation. Its importance lies less in novelty than in format: the show turns re-entry into public space into a visible act, with atmosphere, pacing and collective presence doing much of the work.