tao

Tove Jansson’s artwork sets Spring/Summer 2025 inside a literary, illustrated world without overwhelming tao’s clothes. Shown in Tokyo, the presentation pairs Kurihara’s soft layering with drawings associated with the Moomin creator, letting image, fabric and gentle silhouette share the surface. The reference suits tao because it favours tenderness over spectacle: small figures, narrative charm and hand-drawn atmosphere sit naturally beside light dresses and textile details. Childhood memory, artist collaboration and mature restraint stay carefully balanced. The atmosphere remains tender without becoming merely nostalgic.