The visual record is still being traced. It will appear here once found.
About this collection
Presented at the International Center of Photography among work by Sheida Soleimani, Ashlyn’s Spring/Summer 2026 runway used the vessel as both image and construction problem. Korean celadon and the moon jar informed rounded skirts, structured peplums and liquid balloon trousers, while knitwear appeared to bloom outward from the body.
Sharp tailoring prevented the collection’s volume from becoming purely ceremonial. Park linked the vessel to immigrant memory and containment, giving the sculptural forms an emotional structure while retaining a high conversion from runway looks to commercial production.