The visual record is still being traced. It will appear here once found.
About this collection
Fall 2024 returned Monse to the New York runway after a period dominated by lookbooks and showroom releases. At Rockefeller Center, 1950s UFO imagery and AI-assisted visual research sat beside sharply manipulated tailoring: trouser patterns rotated into tops, lapels multiplied and jackets acquired restrictive, straitjacket-like constructions.
The show reasserted physical presentation as part of Monse’s identity while demonstrating how far the founders’ pattern logic had travelled since the debut shirt. Digital image research supplied the graphic atmosphere; the clothes remained rooted in cutting, rotation and reconstruction.