Hermès

Hermès began in 1837 as a Parisian harness workshop founded by Thierry Hermès, catering to the exacting needs of the carriage trade. This origin in the production of functional, durable equipment established a culture of technical excellence that remains the house’s foundation. As the twentieth century approached, the brand transitioned from equestrian outfitting into leather goods, silk, and ready-to-wear, always maintaining the standards of the atelier. Today, the house remains an independent, family-owned entity that operates a vast network of specialised workshops across France. The label works across ready-to-wear, leather goods, and handbags.

Creative direction is currently led by Nadège Vanhee-Cybulski. The house is part of Hermès family. Its history is marked by a series of definitive creations-from the Kelly and Birkin handbags to the silk carré-that have come to represent a specific standard of French craftsmanship. By controlling its production and preserving rare skills, Hermès has secured its position as a unique guardian of traditional savoir-faire within the contemporary fashion landscape, where the object is valued for its material integrity and the time required for its creation.

Hermès’ philosophy revolves around craftsmanship, human values and a balance between tradition and innovation. More than 60 workshops and training schools preserve savoir-faire, create local jobs and transmit skills to new generations. The company participates in programmes such as Act4Nature International and Science-Based Targets for Nature, aiming to reduce its ecological footprint and ensure responsible sourcing.

Its commitment to independence enables long-term thinking: Hermès refuses aggressive expansion or licensing, opting instead to nurture artisanal métiers and explore new creative avenues. The house’s guiding belief is that true luxury is sustainable, respectful and imaginative, producing objects that age beautifully and enrich the lives of those who use them. Dress is used to test how identity or role can be recast through styling, cut or bodily presentation. Experiment is framed as a method for extending what clothing or material can do, rather than as novelty alone. These priorities are presented as lasting methods rather than seasonal gestures.