
Introduction
Matthew M. Williams is an American designer born in Evanston, Illinois, in 1985 and raised in California. After an early period at Maxfield in Los Angeles, he entered fashion through music, performance and image-making, working with Kanye West and Lady Gaga before co-founding the Been Trill collective with Virgil Abloh, Heron Preston and Justin Saunders.
Williams founded Alyx in 2015 with Jennifer Murray and Slam Jam founder Luca Benini. The partnership connected a New York studio to product development in Ferrara, while early womenswear, industrial hardware and collaborations established a path from subcultural clothing into Italian-made luxury. The label became 1017 ALYX 9SM in 2018 and expanded through menswear, footwear, jewellery and technical projects.
Givenchy appointed Williams creative director of women’s and men’s collections on 15 June 2020. His tenure covered ready-to-wear and accessories, not a regular official seasonal haute couture programme; it ended on 31 December 2023. He subsequently reset 1017 ALYX 9SM, introduced the independent MWM project and became Oakley’s creative director for apparel, footwear and accessories in March 2026.
Design ethos
Williams approaches fashion as applied industrial design. Closures, soles, chains and technical fabrics often determine the structure of a product before they become visual signatures. The Rollercoaster buckle associated with 1017 ALYX 9SM exemplifies this method: an existing safety mechanism is retained for its engineering, weight and sound, then placed inside belts, bags, footwear and tailoring.
His work combines tactical, motorcycle, skate and club references with exact manufacturing. Italian production supports controlled leatherwork and tailoring, while partners such as Nike, Vibram, Mackintosh and Moncler extend the practice into performance systems, bonded rainwear and technical down. Recycled materials and digital traceability are treated as product development rather than separate image campaigns.
At Givenchy, Williams applied the same hardware-led attention to the scale and categories of a couture house. The later 1017 ALYX 9SM reset and MWM project move towards quieter American wardrobe forms, natural textiles and direct utility, while Oakley returns that product discipline to performance clothing and accessories.
Disclaimer
Career history
2026
Oakley has appointed Matthew M. Williams as creative director of apparel, footwear and accessories, signalling broader ambitions across performance and lifestyle.
2023
Givenchy announced Matthew M. Williams’s departure on 30 November 2023, effective at the end of the year. The employment endpoint is distinct from the timing of his final commercial deliveries.
2020
Matthew M. Williams directed Givenchy women’s and men’s ready-to-wear and accessories from 15 June 2020 to 31 December 2023. His hardware-led, industrial product system operated without a regular official seasonal haute couture programme.
2018
Kim Jones commissioned Matthew M. Williams to adapt the ALYX Rollercoaster fastening system for his first Dior Men collection. The mechanism appeared as a CD buckle across bags, caps and tailoring.
2018
The company adopted the name 1017 ALYX 9SM in May 2018. The expanded identity combined Williams’s 17 October birth date, the original ALYX name and the address of the founding studio at 9 Saint Mark’s Place, giving the brand a coded industrial name ahead of its first Paris runway.
2017
Alyx formally expanded into menswear in 2017 after testing the category through an earlier capsule commissioned by Hiroshi Fujiwara. The permanent programme carried hardware, tactical outerwear and modular product construction beyond the womenswear line and established the basis for a co-ed house structure.
2016
Alyx was selected as a finalist for the 2016 LVMH Prize for Young Fashion Designers. The recognition placed the new label within an international luxury context shortly after its debut and helped distinguish it from Williams’s earlier music and streetwear projects.
2015
Matthew M. Williams founded Alyx in 2015 with Jennifer Murray and Luca Benini. The partnership joined a New York studio and Californian cultural references to manufacturing and distribution in Ferrara, establishing a womenswear label built around Italian production, industrial hardware and subcultural product codes.
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